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Ekua Holmes and Autumn Allen at MassArt: “Connected Legacies”

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Photo courtesy of The Horn Book blog.
  • Alumni in the News
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  • Creative Writing

Humanities

Creative Counterpoints

Our Creative Counterpoints Series features guest artists, public intellectuals and culture makers working at the intersections of geographies, languages, identities, and artistic media.

Creative Counterpoints is the MassArt series devoted to the conversations between visual artists, writers, and other culture makers who live and work across geographies, languages, identities, and media. The series’ propelling impetus is to highlight diverse creatives who utilize craft as tools, narratives, and lenses to reflect on and redress social inequities.

In 2024, Creative Counterpoints is proud to participate in Craft in the Real World, a year-long partnership with the Creative Writing Minor, Brant Gallery, and Studio Foundation Department. The program, centered around Matthew Salesses’ seminal text Craft in the Real World, aims to catalyze conversations on the present and future of craft teaching across disciplines and media. 

Poster for Creative Counterpoints 19 event titled Trans*: Representing the Transgender Body on Screen. Features Dr. Jack Halberstam, scheduled for March 19, 2019, at MassArt. Includes book signing details and a QR code for registration.
Creative Counterpoints

Explore the Creative Counterpoints series.

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Creative Counterpoints began in March 2016, thanks to a MassArt Foundation Fellowship Grant awarded to Marika Preziuso ( Professor, Humanities) to attend the Transnational Feminist Summer Institute (TFSI) at Ohio State University, and organize a program engaging the MassArt community in critical questions and debates of transnational feminism.

Previous Creative Counterpoints speakers include authors Valeria Luiselli ( Tell Me How It Ends, Lost Children Archive) and Nnedi Okorafor (Akata Witch, Binti), gender studies scholar Jack Halberstam (Trans*, Female Masculinity), visual artists Sherazade Garcia ( The Map in My Skin) and Vincent Valdez (In Memory). The series has featured student exhibitions, presentations by MassArt alumni – Gustavo Barceloni (Ceramics, ‘17), Mariana Yanes Cabral (Art Education, ‘17), and Ryan Vazquez (Film/Video, ‘17), whose work highlights practices of cultural and linguistic translation, research presentations on media interventions in social justice by Anne Sisto (DMI‘16) and X Wang ( MFA Photo, ‘16).

 

Creative Counterpoints is possible thanks to the support of the Humanities Department,  the President’s Office, the Office of Academic Affairs, and The Office of Justice, Equity, and Transformation (JET).

Questions about the CCs series?

Marika Preziuso Chair, Humanities

Email: mpreziuso@massart.edu

Humanities

Faculty

Christopher Bakriges

Visiting Lecturer, Humanities

Ryan Banfi

Visiting Lecturer, Humanities

Paul-André Bempéchat

Visiting Lecturer, Humanities

Amanda Brandt

Visiting Lecturer, Humanities

Cheryl Clark

Program Area Chair, Creative Writing

Joshua Cohen

Professor, Humanities

Aqueela Culbreath-Britt

Visiting Lecturer, Humanities

Jeanette Eberhardy

Professor, Humanities

Norrie Epstein

Visiting Lecturer, Humanities

Jennie-Rebecca Falcetta

Professor, Humanities

Denise Frame Harlan

Visiting Lecturer, Humanities

Robert Gerst

Professor, Humanities

Katie Gilbert

Visiting Lecturer, Humanities

Alan Gluck

Visiting Lecturer, Humanities

Max Grinnell

Visiting Lecturer, Humanities

Lin Haire-Sargeant

Professor, Humanities

Michael Hamburger

Visiting Lecturer, Humanities

Candis Hilton

Admin Assistant II, History of Art

Peter Kenagy

Visiting Lecturer, Humanities

Albert Lafarge

Visiting Lecturer, Humanities

Dean Lampros

Visiting Lecturer, Humanities

Lisong Liu

Program Area Chair – History, Humanities

Helen Miller

Visiting Lecturer, Studio Foundation

Richard Murphy

Visiting Lecturer, Humanities

Jeffrey Nowlin

Visiting Lecturer, Art Education

Luis Paredes

Visiting Lecturer, Humanities

Krina Patel

Visiting Lecturer, Humanities

Marika Preziuso

Chair, Humanities

Lisa Prout

Visiting Lecturer, Humanities

Ally Sass

Visiting Lecturer, Humanities

Enzo Silon Surin

Visiting Lecturer, Humanities

Maura Smyth

Program Area Chair – First Year Writing, Humanities

Renee Spellman

Visiting Lecturer, Humanities

Leon Steinmetz

Visiting Lecturer, Humanities

Daphne Strassmann

Visiting Lecturer, Humanities

Bethany Strohm

Visiting Lecturer, Humanities

Chanel Thervil

Visiting Lecturer, Humanities

Anri Wheeler

Visiting Lecturer, Humanities

Humanities

Humanities

In Humanities, students grow the knowledge, tools, skills, and habits to engage in community and imagine new possibilities through their creative practice.

In Humanities classes (in literature, film studies, history, music and philosophy, among other fields), students learn the core skills of critical thinking, creative and critical writing, self-reflection, empathetic observation, presentation skills, historical methods, and rigorous research fueled by curiosity. 

By cultivating these core skills, students learn to adjust to new cultures and perspectives; to tell new stories and give voice to visions relevant to their communities; and to cultivate agency in every aspect of the creative process.

Every MassArt degree program includes at least eight general education courses offered in the Humanities and Integrative Science and Biological Arts (ISBA) departments, designed to provide context, insight, critical skills and informed perspectives for students pursuing the arts. 

First Year seminar is offered in Humanities, Integrative Sciences and Biological Arts, and History of Art. It is a rigorous, supportive and immersive whole-person learning experience designed to ground MassArt’s artists and designers in the skills, knowledge and life habits necessary to thrive in their foundation year at MassArt.

Our writing courses teach the craft of coherent, purposeful, and compelling written text from first draft to final manuscript. In these courses students develop an authentic artistic voice by writing an artist’s statement, revising a grant application, experimenting with cinepoetry, and reading stories in translation.

In literature and film criticism courses students engage with texts from multiple fields, genres and cultural traditions, discern complex layers of idea and meaning in verbal, written or cinematic art, and forge a personal canon relevant to their creative life.

In history courses students learn the historian’s craft: they differentiate, evaluate, and contextualize primary and secondary sources, examine the deep connections between the past and present, and practice historical methods that emphasize transcultural and global perspectives.

In our humanities electives in music and musicology, gender studies and philosophy (among others), students explore aesthetic, cultural and ethical questions relevant to their place in the world. They may study music from around the world and the US, or examine their artistic freedom in a democracy.

Humanities Learning Outcomes

In Humanities, students grow the knowledge, tools, skills, and habits to engage in the community and imagine new possibilities through their creative practices. In our courses, students:

  1. Cultivate close observation, self-reflection, and empathic and critical inquiry to understand the world and their place in it. 
  2. Attend to the exploration and expression of craft, methods, form, purpose, and audience. 
  3. Communicate ideas with honesty, respect for other viewpoints, and a commitment to the common good. 
  4. Engage in responsible, curiosity-driven research to broaden their perspective and deepen the meaning of their work. 
  5. Contextualize what they learn and create across historical, cultural, and global frameworks.
  6. Make their best work through revision, experimentation, and community-oriented critiques.
  7. Forge connections across fields of knowledge and with peers from all majors. 
  8. Reflect on their intellectual, creative, and emotional growth and its impact across the college and on the community.
I believe in the power of differences as a space of connection, understanding, and mutual growth as catalysts of the learning process. Marika Preziuso
Program Chair

Marika Preziuso

Chair, Humanities
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Creative Counterpoints

Learn about Creative Counterpoints, our annual series devoted to the intersections of creativity and difference as investigated by visual artists, writers, public intellectuals, and other culture makers.

Learn more 
A world of opportunity.

Creative Writing

Minor

At MassArt, visual artists and designers thrive as creative writers, giving voices to their unique perspectives and untold stories.

As a Creative Writing Minor student at MassArt, you’ll join a community of visual artists and designers who are passionate about writing creatively and integrating the written word into their creative practice. Learning from one another, accomplished faculty, and diverse visiting writers, you can create poems, stories, plays, graphic narratives, personal essays, scripts, and yet undefined genres. Read widely, workshop your writing, and find innovative ways to integrate the visual and the verbal.

In the program you have an advisor through the Humanities Department who assists in choosing courses and planning for the future. You can complete your general education requirements while writing creatively in 18 credits of literature and creative writing courses, generally six 3-credit courses.

Among the Creative Writing Minor course options:

  • Literature in Dialogue (prerequisite for all others)
  • Creative Writing:  A Multigenre Workshop
  • Fiction Workshop
  • Poetry Workshop
  • Film Script Writing/Adaptation
  • Children’s Literature
  • Creating a Comic Book
  • Memoir & the Artist
  • Artist’s Writing

You may officially declare your Creative Writing Minor at any time through the MassArt Registrar’s Office.

Creative Writing Minor Learning Objectives

Students who complete the Creative Writing Minor program are expected to be able to demonstrate the following learning objectives.

  • Write poems, stories, plays, graphic narratives, and more
  • Distinguish yourself as artist/designer and creative writer
  • Meet other students with literary aspirations
  • Connect art or design with writing
  • Explore the world of contemporary creative writing
  • Interact with established writers
  • Read, perform, and present your own work
  • Discover innovative ways of writing and communicating
  • Listen to and learn from diverse writers
  • Put into practice what you learn from literature
  • Enlarge your understanding of humanity and the world through literature and writing
Coordinator

Cheryl Clark

Program Area Chair, Creative Writing
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Colleges of the Fenway & ProArts Consortium

Students are encouraged to take courses at our neighboring colleges. Find more program information about cross-registration.

Colleges of the Fenway and ProArts
All MassArt news

Bedford Pianist Paul-André Bempéchat Salutes Beethoven on Dec. 16

  • MassArt in the Media
  • Humanities

“Internationally acclaimed pianist Paul-André Bempéchat (professor, Liberal Arts) will honor the birthday of Ludwig Van Beethoven with a performance of three of the composer’s most beloved piano sonatas. The concert will take place on Friday evening, Dec. 16 at First Parish on the Common at 7:30 p.m. with an in-person audience. It will also be available via Zoom.”

“The concert is a benefit for First Parish music and for The Shelf, a service that offers free food to students at MassArt (Massachusetts College of Arts and Design) where Bempéchat teaches. The artist noted his distress at learning of food insecurity among students at the college and offered to do a benefit performance.”

The Bedford Citizen 
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Shubha Sunder on Writing from a Place of Nostalgia for Home

A person with curly hair, wearing a necklace with a round pendant, stands against a weathered wooden background, evoking the nostalgia of home. Beside them lies an image of two seashells on a light blue surface. Text on the image reads, The Common, Issue No. 22.
  • Campus News
  • Humanities

“Shubha Sunder speaks to managing editor Emily Everett about her story “A Very Full Day,” which appears in The Common’s fall issue. In this conversation, Shubha talks about writing stories set in India, and how she built out the insular world of Indian retirees that “A Very Full Day” centers on. She also discusses teaching creative writing to undergrads, her revision process, and her forthcoming collection of stories Boomtown Girl, which won the St. Lawrence Book Award.”

Listen to her interview on The Common podcast

Literary Hub 
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Five Things to Do Online, March 22-28

Left: A woman smiling, sitting cross-legged on a wicker stool in an art studio with colorful canvases, listing things to do online. Right: Another in a blue coat and scarf stands before a graffiti-covered wall, contemplating plans for March 22-28 as she gazes into the distance.
  • MassArt in the Media
  • Humanities

The Boston Globe highlights Creative Counterpoints: Uprooted, Translated as an event to experience during the week of March 22-28.

Boston Globe 
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