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MFA 2024 Summer Lecture Series Closes with Keynote from Hannah Brancato

An arial photo of the national mall in Washington DV with big panels of red fabric laid out to spell "You Are Not Alone."
Hannah Brancato, The Monument Quilt, 2013-2019.
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“What if we joined our sorrows…what if that is joy?”

It’s a question posed by the poet Ross Gay, and it particularly resonates for multidisciplinary artist Hannah Brancato, closing keynote speaker for the MassArt Graduate Programs Summer Lecture Series on Thursday, July 25. “That quote is important to me,” she says, “because of the idea that sorrow and joy exist together; the idea that with intense grief and trauma that comes from sexual violence and any other kind of violence, it’s only possible to access healing through connecting to other people. There’s only so far we can go on our own.”

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“That’s what I’m going to be talking about when I speak at MassArt,” she says – “the complexity of organizing with survivors around our trauma and all the work that is coming out of that.”

The “work” Brancato is referring to is the art of what she calls collective storytelling, One of her projects is The Monument Quilt, a crowd-sourced project of 3,000 individual stories from the U.S., Mexico, and beyond that are sewn into large quilt blocks. It’s an initiative of FORCE, an art and activist collective she co-founded that is dedicated to ending sexual violence and creating public art to disrupt rape culture.

There’s also Move Slowly, an interview series and visual art project featuring both conversations between creative activists working to end sexual violence and portraits of the interviewees, based on their words and cyanotype prints of their hair.

A theme that informs Brancato’s art projects is how people’s trauma is responded to. People who are white or have more money or privilege may be reacted to differently by the police, for instance, and “how our  trauma is responded to in the aftermath really impacts how we deal with it in the long term,” she says.

Her work entitled The Inheritance of White Silence speaks directly to this issue. “It’s a project where I began to work with a set of white linen napkins that I inherited from my grandmother,” she says. “I was thinking about white supremacy culture and the way I was racialized – or more accurately, not racialized – as a white person in the United States. How had I taken on the culture without being conscious of it?

“I started to use white embroidery on the white linen to express ways in which I had noticed I had taken on characteristics of that culture – ‘Grandad’s Bootstrap Story,’ ‘Fear of what I don’t know,’ ‘The desire to be perfect.’ I then took a set second of napkins and put the ways I want to pass down legacy – what I want to do differently as I look into the future: ‘Release of control,’ ‘An understanding of interdependence,’ ‘Curiosity to always learn more.’

“I am constantly negotiating the complex relationship between my whiteness, class, and ability privileges, as they are interconnected with my experiences as a woman and as a survivor of trauma,” she explains on her website.

Brancato and her work have received widespread media coverage in The Washington Post, The New York Times, and other publications and on broadcast channels that include MSNBC, CNN, and NPR’s All Things Considered. A gifted, provocative speaker, she is not to be missed.

Hannah Brancato’s keynote will be held at MassArt’s Design and Media Center Lecture Hall on Thursday, July 25, 4:30 pm. All MFA lectures are free and open to the broader MassArt community and the public. For more information about the MFA summer lecture series, visit the MassArt Events Calendar.

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When Home is Everywhere and Nowhere at Once: MFA Summer Lecture Series with Jasmine Chen, July 19

An abstract painting of a person lounging on a red couch, holding a small dog. With dark hair, they exude the theme Home is Everywhere amidst swirling blues, reds, yellows, and browns, creating a relaxed and cozy atmosphere reminiscent of Jasmine Chens artistic vision.
Artwork: Jasmine Chen, Hot Pepper and Ice Cream, Oil on canvas, 24” x 36,” 2024.
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Imagine growing up moving between China and America and living in many different kinds of neighborhoods but with none of them overlapping. That was Jasmine Chen’s experience, and she uses her art to reflect the struggle of trying to make sense of place and identity across time and time zones, cultures, and of course actual physical places and spaces.

Jasmine will be discussing that struggle subsumed into her beautifully evocative paintings this Friday, July 19, 6:30pm, when she presents as the third of four speakers in this Year’s MFA Summer Lecture Series. Her talk will take place in the Lecture Hall of the Design and Media Center, and she will show some of her works, which are in the permanent collection of the Danforth Art Museum and have also been exhibited in galleries throughout New England and beyond.

Being a diasporist artist has changed some, Jasmine points out. With the internet, the ocean no longer establishes a definitive barrier because “it enables a constant partial exposure to people and places from the past.” There’s an upside to that, of course, but at the same time, she says, “accounting for one’s origins and place can be more problematic than ever. My works respond to this condition.”

All MFA lectures are free and open to the broader MassArt community and the public. For more information about the MFA summer lecture series, visit the MassArt Events Calendar.

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Steering Into Humor: MFA Summer Lecture Series with Falaks Vasa

The gallery room features artwork including a large photo of a person from behind on the left wall, a handwritten text piece at the center, and a geometric design on the right. A map-like creation adorns the floor beneath the watchful ceiling surveillance dome, echoing themes from the MassArt Summer Lecture Series.
Falaks Vasa, Double-Diamond Decolonizer, Photography, writing, whatsapp voice call, installation, 2017.
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Initially, art was a medium through which Falaks Vasa (they/she) was building awareness of her various identities and working to consciously to disrupt and resist the othering, the marginalization, of people like herself. “But now,” she says, “that’s taking much more of a back seat as my art has evolved. It’s the ways that I move through the world that feel like activism, resistance. I am a trans femme person, I am brown, I’m from Kolkata so I am an immigrant,” she says. “Just living my life is a way of upsetting the spaces I move through.”

How has their creative process changed? These days, says the multidisciplinary artist, who has exhibited everywhere from Italy to Ireland, India, Canada, and the Netherlands, “when I’m making creative work it feels extremely easy and fun. When it feels like I’m trying to do something or make something happen, it no longer quite works for me. In the past couple of years I have really steered into humor and into this way of being where I don’t take my art too seriously and just allow it to happen. It’s still informed by all those ideas, but now they’re more natural as opposed to maybe a little bit forced.”

That artistic evolution is part of what Falaks will be touching on during her talk as part of this summer’s MFA Lectures Series on Thursday, July 18, 4:30 PM, at MassArt’s Design and Media Center (DMC) Lecture Hall. She will also be reading from her first novel, Shor, which translates to “noise” in Hindi, as well as showing pieces from different stages of her artistic development. 

One of them, Double-Diamond Decolonizer, was completed “at a time that I was thinking a lot about the relationships between cartography and colonialism,” they say. Colonizers divide the world into grids and places they can point to and name and say they have control over. By contrast, the double diamond, based on the Jain world view of Falaks’ upbringing, has no specific grids to show what can be conquered. “That project,” they say, “ended up becoming a lot about refusal and thinking about how to make things illegible, opaque, to my audience, which at that time was a western one.”

Falaks will discuss, too, her approach to teaching. “My pedagogy is very interdisciplinary,,” she says. “Sometimes I feel like I’m performing. Sometimes I feel like I’m curating. But the classes I teach are part of my creative practice.”

All MFA lectures are free, open to the broader MassArt community and the public. For more information about the MFA summer lecture series, visit the MassArt Events Calendar.

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Exploring Space and Place | MFA Summer Lecture Series Begins July 11

An artwork by Kelly Knight
Image ©2024 Kelly Knight
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“I’m an out-by-myself-in-the-middle-of-nowhere person,” says Kelly Knight (MFA ‘18), who returned to MassArt as the director of the low-residency MFA program in January 2024. 

How does she reconcile that with the fact that she lives smack in the middle of a city? That’s part of what she’s going to talk about when she kicks off this year’s MFA Summer Lecture Series on Thurs., July 11, at MassArt’s Design and Media Center (DMC) Lecture Hall. 

Knight, a multimedia artist who has exhibited at venues such as the Farm Projects Gallery in Wellfleet, the Art Complex Museum in Duxbury, and the Brickbottom Gallery in Somerville, is currently working on a new set of figures she says are “in female form, but not people, really. I think they’re ancestors or guides or other entities. We have a vacant lot next to our house that we’re trying to turn into a habitat for wildlife, and these characters [in mixed media that include catalog pages, cardboard packaging, and other repurposed materials] come out after I’ve been doing a lot of physical work in that space. I think they’re messengers, or maybe guardians.”  

The kickoff lecture series serves as Knight’s reintroduction  to the MassArt community. The series includes artists working in  a mix of themes and media, which Knight “ balanced with racial and gender diversity “so that it’s inclusive and reflective of our student body,” she says.  Additional lecture series speakers include: Falaks Vasa (July 18 at 4:30 p.m.), Jasmine Chen (July 19 at 6:30 p.m.), and Hannah Brancato (July 25 at 4:30 p.m.).

All lectures are free, open to the broader MassArt community and the public, and presented in-person. For more information about the MFA summer lecture series, visit the MassArt Events Calendar.

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Fine Arts
Low Residency

Featured Work

Fine Arts
Low Residency

Events

Join MassArt’s MFA Low Residency program for thought-provoking events featuring artists, curators, and scholars.

Colorful fibers in red, orange, and yellow intertwine with green netting and candy wrappers, echoing the vibrant creativity often seen at MFA events or showcased by artists in low residency programs, all layered in a textured, abstract arrangement.
MFA Summer Lecture Series

Each summer, MassArt’s MFA Low-Residency program hosts a dynamic Summer Lecture Series that brings together artists, curators, and scholars from across the art world. These lectures offer a rare opportunity to hear from a diverse range of voices—emerging, mid-career, and established—who share their work, ideas, and insights. Many also engage directly with MFA students through one-on-one and group critiques, creating a rich environment for dialogue, feedback, and artistic growth. The series reflects MassArt’s commitment to fostering critical conversations and expanding the way students—and the broader community—experience contemporary art.

January Colloquium and Reviews

Our January Colloquium is a five-day virtual gathering where students in the Fine Arts Low Residency program engage in focused dialogue, critique, and exploration. Each year’s colloquium centers on a unifying theme and features guest speakers and visiting artists who bring perspectives rooted in contemporary studio practice, art history, theory, and expanded fields such as audience, landscape, empathy, and identity. The experience also includes formal reviews of student work by faculty, guest critics, and mentors. Students take an active role—presenting their work, leading discussions, and providing thoughtful feedback to peers.

Learn more 

Fine Arts
Low Residency

Faculty

Yo Ahn Han

Visiting Lecturer, Fine Arts 2D

Thatiana Oliveira

Director of Graduate Programming, Graduate Programs

Gina Siepel

Visiting Professor, MFA Low Residency

Keith Washington

Academic Compass Advisor and Faculty, Compass

Fine Arts
Low Residency

MFA

MassArt’s Low Residency MFA program is ideal for working artists and educators who thrive in a cross-disciplinary, collaborative environment.

Our Low Residency MFA program is an 60-credit terminal degree, earned in two academic years and three on-campus summer residencies.

During intensive seven-week summer residencies, MFA students work in studios on our Boston campus in the city’s arts district, employing a wide range of media and an array of technical and conceptual strategies. Diverse visiting artists and critics meet with students one-on-one and encourage them to think about their work in the context of contemporary practice.

Students work closely with faculty in studio and research courses, as well as in intensive two-week workshops designed to offer fresh inspiration and new technical and professional skills.

In the Fall and Spring semesters, students work one-on-one with local mentors who advise their studio practice. Online courses in research, writing, history and theory guide students in placing their work in the context of historical and contemporary practice. A range of electives are offered in collaboration with other MassArt programs, including education courses in pedagogy, and studio electives in a range of media.

The MassArt faculty introduced me to a depth of critical thinking and changed the way I think about and understand art. Leslie Fandrich MFA Low Residency ’18 & MFA LR faculty

Each January, students meet remotely for a winter colloquium, a thematic exploration in the form of presentations and workshops, followed by studio reviews. The colloquium builds community, expands students’ creative network, and introduces a fresh lens through which students are asked to view their practice.

Students conclude their degree with a third summer residency, focused on the refinement and presentation of thesis work. After final reviews, MFA candidates mount a curated thesis exhibition and offer formal artist talks for members of the MassArt community and the public.

Low Residency MFA Learning Outcomes

Students who complete the Low Residency MFA program are expected to be able to demonstrate the following learning outcomes.

  • Develop a professional studio practice, with personal content and vision
  • Advance technical knowledge and skill across media selected by the student
  • Develop the ability to critique peers’ work across disciplines
  • Understand one’s work in relation to contemporary art and art history
  • Develop awareness and understanding of the diverse cultural, historical, and experiential issues expressed and inherent in one’s own artwork and in that of one’s peers
  • Develop presentations skills including public speaking and written artists’ statement
  • Exhibit one’s work in a professional setting and in a professional manner
  • Develop knowledge of major historical and cultural characteristics of specific times /places. Infer relationships between society and art
  • Recognize various types of texts used in art historical analysis, and evaluate their content and effectiveness. Use various ideas, approaches and facts in the analysis of art. Formulate, research and argue a hypothesis. Articulate verbally and in writing, theoretical and critical perspectives on art
  • Recognize the impact of historical works of art on contemporary art
  • Draw connections between various artworks, artists and concepts, across a range of disciplines

Thatiana Oliveira

Director of Graduate Programming, Graduate Programs
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