
MassArt is home to one of New England’s premier ceramics facilities, featuring a 3,000-square-foot kiln room, a dedicated wheel-throwing studio, and a specialized glazing studio.
Ceramics Faculty & Administrators within the Fine Arts 3D Department
At MassArt, students majoring in Ceramics dig into the foundational techniques, skills, and ideas that are critical to today’s artists, designers, and educators working with clay. These include handbuilding, wheelworking, moldmaking, glazing, and kiln-firing, as well as work in ceramic casting, architectural ceramics, new technologies, and clay and glaze materials.
Seminar and advanced studio courses focus on developing a professional portfolio, and emphasize critical thinking, research, lectures, and critiques. Students also further enrich their learning with visiting artists and on field trips.
The program provides students with the practical and theoretical preparation they need to pursue ceramics as a dedicated vocation, or to develop their ceramic practice as a part of their larger artistic work.
Students are required to take a professional practices course that prepares them for life after MassArt, and seniors document and present their work in a final thesis.
Students who complete the Ceramics BFA program are expected to be able to demonstrate the following learning outcomes.
MassArt Ceramics students explore personal ideas through a lens of history, aesthetics, world culture, social /environmental issues, design, craftsmanship, science and technological innovation. You will focus on your own creative work, and also study ceramic chemistry, kiln building and firing (both electric and gas), social practice, and environmental impact. The curriculum includes a wide range of elective course choices, giving you a strong foundation to continue your professional life after MassArt.
MassArt is home to one of New England’s premier ceramics facilities, featuring a 3,000-square-foot kiln room, a dedicated wheel-throwing studio, and a specialized glazing studio.
Sheila Pepe ’83 BFA Ceramics was recently profiled by the New York Times in celebration of her newest installation at Madison Square Park. For more than two decades, Pepe has used the craft of crochet as a way to “draw” in three dimensions and infiltrate architecture. At the northern end of Madison Square Park, Pepe has suspended strips of crocheted material, measuring as long as 95 feet, from the tops of eight existing lampposts and eight 20-foot-tall telephone poles newly planted around the lawn and walkways.
Read more about Shela Pepe’s work
On a recent weekday morning, James Guggina was feeding wood into his backyard kiln and watching the pyrometer climb toward 2,500 degrees.
“This is my job. It’s also my absolute passion,” he said, pausing with an armful of scrap wood salvaged from a local casket company. “People complain about sitting in a cubicle all day. I feel so fortunate that I get to make things.”
Guggina moved to Northampton two decades ago from Boston, where he attended MassArt and worked for the acclaimed Fort Point potter Gabrielle Schaffner. These days, Guggina has three kilns — wood, gas, and electric — and he works, more or less, constantly.
He didn’t know anyone in the area initially, but that changed after he was invited to join the pottery trail. “It’s great to have other people to commiserate with nearby,” Guggina said. And this weekend, there will be throngs of folks visiting his studio.