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Through the MassArt Looking Glass: Nancy Callan Takes Students Down Memory Lane

MassArt alum Nancy Callan returns with Blown Away judge Katherine Gray, showcasing collaborative glassblowing and inspiring students through hands-on demonstration and mentorship.

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Acclaimed glass artist and alumnus Nancy Callan BFA '96 returns to the MassArt campus.

Written by Rachael Dubinsky

When Nancy Callan BFA ‘96 Glass first peeked into a hot glass studio as a student, the experience changed the course of her life. She was captivated by the glowing, fluid material and by the precision and teamwork required to shape it. This semester, MassArt welcomed the renowned glass artist and alumna back to campus, alongside her artistic partner and Netflix’s Blown Away chief judge Katherine Gray, offering students a firsthand look at both her process and the collaborative nature of working with hot glass.

The hot shop was buzzing with energy: multiple furnaces blazing, blowpipes turning in steady rotation, and classic rock playing in the background. The music underscored the methodical rhythm of the studio, where timing and coordination are everything.

Glassblowing is often associated with individual artistry, but in practice it depends on an orchestrated team effort. During the demonstration that day in the MassArt Hotshop, advanced studio glass students played an active role in the process, assisting Nancy and Katherine while observing their approaches. Assistants opened furnace doors, gathered molten glass, shaped forms, and reheated pieces in carefully timed sequences. The experience offered students not only technical insight but a deeper understanding of how collaboration drives successful outcomes in the hot shop. 

“As young artists, we are always looking to build new skills and learn from those who came before us,” said Milo Miller ’27 Glass. “When asked about the key to success, Nancy told us to, ‘Listen to all advice, no matter how confident you may be. Never let your ego stop you from gaining a new perspective.’ That message was more impactful to me than any demonstration. Nancy and Katherine’s dedication to the craft—and the generosity and humility they showed during their visit—left many of us speechless.”

 

As young artists, we are always looking to build new skills and learn from those who came before us. Milo Miller ’27 Glass

 

Together, the group created a large-scale mushroom sculpture topped with a cluster of tiny mushrooms. The process unfolded on two tracks. While one team focused on building the substantial base and cap, others shaped and rolled miniature mushrooms in fragments of colored glass and gold leaf. These small forms were kept hot and refined before being incorporated into the larger piece. Swirling patterns emerged as layers of color were gathered and blown out, demonstrating how preparation and sequencing directly affect the final result.

“Pre-planning is key,” Nancy emphasized throughout the demonstration. Because glass remains workable only for a limited time, every step must be anticipated. Tools are positioned in advance, assistants know their cues, and each reheating is deliberate. The choreography is demanding, but it allows for precision and innovation within a narrow window of possibility.

For students, the workshop offered a clear view of professional practice—both the discipline behind the artistry and the importance of trust among collaborators. For Nancy, returning to MassArt was a meaningful full-circle moment, revisiting the same environment that first sparked her passion.

The day reinforced what makes glassblowing distinctive: it is a material-driven art form that requires collective effort, careful planning, and shared momentum. In the glow of the furnaces, students witnessed not only the transformation of molten glass into sculptural form, but the power of working together to bring a complex idea to life.

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