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The Bauhaus and the Black Experience: The Magnificent and Mysterious Robert Reed

Robert Reed, “Plum Nellie Split, November Reason #1” (1972), Aquatec acrylic on canvas, 304.8 x 365.8 cm, 120 x 144 in (Courtesy of the artist and Pilar Corrias, London)

The essay "The Bauhaus and the Black Experience: The Magnificent and Mysterious Robert Reed" is written by MassArt 2D Professor Jessica Tam in Hyperallergic